devinleighbee:

I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 
IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 
devinleighbee:

I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 
IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 
devinleighbee:

I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 
IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 
devinleighbee:

I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 
IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 
devinleighbee:

I never noticed the change in color tones before!
JW/SH- Dark warm tones and fire= Intimate, cozy, home. John feels comfortable here and so does the viewer. It also has a yellowish/goldish feel which tells us that they are being open with each other. They trust each other and are not keeping secrets here. They are both happy and content in this scene. 
MH/SH- Neutral tones no fire= shows the state of their relationship. Neither warm nor cold. Closest to reality, lack of emotion. 
IA/SH-  Rich red tones and fire= seductive, intimate, danger. Irene is playing with Sherlock’s emotions, trying to seduce him. The viewer is intended to be seduced along with Sherlock yet the bright white light from the lamp on Sherlock’s side might suggest he’s staying pure from her advances. The red also helps represent the sexual implications behind their conversation. 
SH/JM- Green tones, no fire= They’ve switched Sherlock into John’s chair, they are making Moriarty the dominant one. Green commonly represents growth, which could be describing Sherlock’s growth in knowledge about Moriarty’s plans. Green also represents evil and greed, I think you can figure out why that’s important here. The viewer is supposed to feel the fact that this situation is wrong wrong wrong! Going with the growth idea this could signify the start of something new: The Fall.  
JW- Cold, very blue no fire= Death, plain and simple. Shows the coldness of the home without Sherlock and John’s grief. Blue is thought to be a calming color but this shade suggests death rather than therapy. It’s almost like the tone is corpse, which has lost it’s color due to blood loss. 221B has lost it’s life and has turned colorless. Blue also shows trust, which could be a representation of John’s loyalty to Sherlock. This is the first time we see blue tones in 221B.  
I have a a lot of color feels now. Just another genius part of this show, how they use camera angles and color tones to show us exactly what we’re meant to be feeling. cries. 
    
    
    
    
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
jadeneternal:

milominderbindered:

orange is the new black meme

[3/3] characters: Sophia Burset

I have given five years, eighty thousand dollars, and my freedom for this.  I am finally who I’m supposed to be. Do you understand?  I can’t go back.

I love her. She’s part of why I was able to finally come out and begin my transition.
    

Want to know how we’re going to break in?

Want to know how we’re going to break in?
    
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
disneyvillainsforjustice:

thesylverlining:

sizvideos:

Watch it in video
Follow our Tumblr - Like us on Facebook

There is a cat being a mama to a baby bunny.
My day just got a little bit better. ;A;

Have some adorables. - Mod Helga
    
    
fanfundoms:

starfleet-detective:

*slams button frantically*
    

Lie down with me, Watson.

Lie down with me, Watson.
    
    
kearabaggins:

"So, yes. It’s all good. Better than good. It’s bloody brilliant. #sherlocklives means #johnwatsonlives."
-John’s Blog [x]